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第八届【广东现代舞周】闭幕演出《情感操练》…its’s only a rehearsal

日期：2011年7月29日 20:00

场馆：广州少年宫蓓蕾剧院

城市：广州市

票价(RMB)：650、350、250、150、90

项目介绍

第八届【广东现代舞周】闭幕演出

Closing Perf mance of the 8th Guangdong Modern Dance Festival

情感操练 …it's only a rehearsal

挪威零见度舞团Zero Visibility C p. (N way) www.zerovisibility.no

编导Ch eographer: 伊娜·约汉娜逊Ina Christel Johannessen

挪威零见度舞团艺术总监Artistic Leader of Zero Visibility C p.

广州市少年宫蓓蕾剧院The Bud (Beilei) Theater（东风西路167号/167 Dongfeng Xi Lu）

节目约长70分钟Approx. 70 mins（不设中场休息no intermission）

从古希腊神话到步步惊心的男欢女爱

【挪威，挪威】系列压轴演出

《情感操练》根据古希腊神话中观者与被观者的吊诡关系，在舞台上构筑一段步步惊心的现代两性关系。一个男人和一个女人声色分演古希腊神话：猎人亚克托安无意之间看见沐浴中的狩猎女神阿耳特弥斯，而被她变成了一只牡鹿，并最终被自己的猎狗咬死。

究竟是被观者神女有心？还是观者无意胜有意？

作品编排丰富而细腻，动作纯粹而有力，尽显两性之间刚强与脆弱的拉锯关系。舞者之间溢于言表的凝望分外动人，他们是一双舞伴、一对情人、还是两个陌路人？北欧编舞女皇伊娜·约汉娜逊饮誉世界之作，并于2004年获得在挪威卑尔根举行的“十月舞蹈节”一等奖。

The Sexiest Dance in Recent Mem y ——State of the Art Review

Finale Perf mance of the N WAY in focus Series

...it's only a rehearsal is b ed on the Greek mythology of Artemis Acteaon. Artemis wreaks revenge on Acteaon after he sees her bathing naked. Artemis punishes the hunter by turning him into a deer, Acteaon's own dogs tear him to pieces.

In all its purity powerful physical expression, this intense duet focuses on the relationship between seeing being seen. It expl es a contemp ary relationship between a man a woman. Strength fragility exist side by side. Are they a dancing couple? Lovers? just two people who happen to be together? W ld renowned N wegian ch eographer Ina Christel Johannessen's striking ch eography simultaneously expresses the complexity of human emotions conditions. It received Oktoberdans's First Prize in 2004 (Bergen, N way).

引人注目的……迷人的……剧力逼人的…… ——《纽约时报》

震撼、激烈、精彩绝伦！简直是舞于崩溃边缘 ——瑞典《每日新闻》

Striking…entrancing…compelling… ——The New Y k Times

Powerful, intense utterly brilliant dancing on the verge of collapse. ——Dagens Nyheter (Sweden)

鸣谢： Acknowledgement:

　　1.N wegian Ministry of F eign Affairs

　　2.Arts Council N way

　　3.Danse- og teatersentrum

　　4.N wegian Consulate General

主办机构保留更改节目的权利 Programs artists are subject to change